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"Your name's Scroggie, ain't it?" Billy asked.,

Mr Pledge had eaten his last morsel of cheese and was leaving the table, when his attention was arrested by a knocking on Lucy's door, accompanied by the cries of a female; but what she said he could not hear. So Mr Pledge, taking some steps, stood close to the door.,

"Bought him!" exclaimed man and woman in a breath.,

He was a tall, lank man, rather knock-kneed, with a long neck, and, which was very[Pg 269] unusual in those days, his chin was garnished with a quantity of straggling reddish hair. His face looked as though it had been put together without much judgment. His nose, which was broken, was not in line; his mouth was somewhat on one side, one eyebrow was raised and the other depressed. His eyes were small, of a deep, moist, soft blue. He had served in the American Navy, and had much to tell about Yankee captains and commodores. He was dressed in the garb of the common sailor, and it is not wonderful that Mr Lawrence should decline to meet him at table, which, if it did not make their footing equal, must bring them into relations the fastidious, haughty, handsome naval officer would regard in an uncommon degree objectionable.

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The replies of other questions put to Mr Tupman were equally unsatisfactory, and it now being past one o'clock and the information the Captain and the Admiral had obtained not being worth the questions that had elicited it, they stepped on to the bridge and walked[Pg 180] in the direction of Old Harbour House, the Admiral saying that he would accompany the Captain to his home, as he was anxious to hear if Miss Acton had obtained news of Lucy.,

"We shall be thankful to receive any news of Miss Lucy Acton," said Captain Acton, with that collectedness of manner which implies the glazing by a vigorous will of passions growing turbulent.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.,

"A story of foolhardiness, madam, largely due to my difficulty in foreseeing issues."